These are the manual aspect, the sensuality of turning the clay, the tactile experience of the matter, the growing the magical potwand between the fingers, the playful enjoyment of the building and the three-dimensional constantly fascinating transformation of hunk clay to hard stone sculpture. Furthermore plays a major communicative aspect role in the work of Anima Roos. Ceramic pots, both by their functionality (the world), as their ancient ritual function (spiritual), very close to the daily life.
They are inextricably part of it and are therefore very accessible as it goes to pot, or very surprising if they deviate from the formal expectations. The artist is fascinated by the interaction between the everyday and the historical and multicultural tension. So she tries her work silhouettes to create a historical and cultural basis as a backbone but undeniably contemporary expressiveness. This is the evidence they evade the symbolic function of objects highlight the practical and abstract design.
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27 March, 2010 23:19
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