Work Halina Olech initially stood out charmingly simple matte glazes. It resembled the great creations of the cylinders of Japanese ceramics. Definitely gone from the formation of its work on the pottery wheel. She kept a kind of roughness in the texture of their hand-shaped dishes or overlaps the enamel thickness in warm tones of cobalt. In later work shows the interest in sculpture, particularly in a series of heads made in deep relief on szarosrebrzystych toned, slightly iridescent szkliwach reduction.

Many similarities can be seen in the work of Irena Lipska-Zworskiej.
The artist exhibited a wonderful sense of proportion and a unique understanding of the decorative nature of the major forms of vascular diseases. In her pots and bottles we find reminiscences of the Orthodox church architecture. These works are outstanding in Polish pottery. She used her work in traditional and relatively popular method of decorating angobami. The variety and versatility search Leipzig-Zworska preserved to this day. Creates decorative vessels still form, but form parametrization, non-functional: reliefs inspired by the landscape (plowed field) in the plane “lubwprowadzające” space through lace (Lake, Shields, Birds). Builds a form – sculpture, made of gossamer rhythms and full planes, shaped slightly raised, przenikach through space (Metamorphosis, butterflies) or static, ongoing in the area (columns, mountains, icebergs). Recently, the artist creates a form-based travesty ball or cone, with neutral or very painterly surfaces, which are forms or decorative lamps, covered with tiny holes through which comes out of thin smuzki light casts amazing reflections on the environment. Space and light are so-side ceramic – a material of these works. Irena Lipska-Zworska stresses that her work is primarily a tribute to nature. Not playing anything specifically, but always keep the relationship with nature, trying to give its essence-the rhythm of life, mobility, diversity, richness. – Through the rhythms of forms, analogies to the shape, color, but also a natural disharmony. Present in her work metaphor and poetry are inseparably associated with the experience of nature.

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