Ceramics for garden and terrace is a main focus of our work. High-fired ceramic and stoneware is the ideal material for the garden. This can be colored accents in the winter. Brilliance is continuously maintained. Examples of realized work: well, objects, light spheres, light pillars, tables, picture boards, wall relief’s, bowls, seed trays, vases, wall designs.
The ceramic material combines distinctive design with longevity. There is frost resistant, weather resistant, color-fast and hard to 1200 ° C high-fired stoneware, they will give many years of pleasure from your pieces have acquired.
Technical information and materials.
Our ceramic garden is handefe rtigt stone train, decorated with lead and heavy metal-free glazes. All garden is created ceramic objects and goods in colors perfect for garden composition is, they wish. Surface treatment: Terra Cotta natural, colored and transparent glazes, paint stains, slip. Used materials: Glazes and ceramic bodies Herkonftsort.
Terms – Conditions
The AAP out your orders on the basis of the following terms and conditions (AGB). You can download the text on your computer or ausdrucken.Von these conditions, alternative arrangements will not be accepted unless they are confirmed in writing.
The contract
Our information about products and prices during the ordering process are non-binding. The purchase contract for or your selected item will be closed when we declare our acceptance of your payment and express payment and inform… The confirmation of receipt of your order does not have any contract. (2) Check the confirmation for obvious spelling and calculation errors and discrepancies between purchase order, confirmation and delivery. You are obliged to inform us of such discrepancies immediately.
Warranty
The statutory guarantee period is 2 years, beginning with delivery of the goods. During this time, all defects that are subject to statutory obligation, solved completely free. Your warranty claims are initially limited to subsequent performance. While missing the cure, you have your choice of a right to cancel the contract or reduce the purchase price.
Prices and Payment
All prices include the legally applicable VAT rate. All prices above comparison are valid in catalog period. All prices listed are drawn with packing charges.
Payment methods
Cash
Pay the bill easily on receipt of the goods on delivery to your mailman.
Performa invoice
Shipment of an order made after receipt of the invoice amount to our account.
Delivery types
German postal parcel (Insured)
Shipping within Germany
The calculation is based on the orders
Min-cost: 8.50
Max Cost: 44.94
Free of charge from: 50.00$
Plus transportation charges of proven products
UPS – United Parcel Service
Standard rate
Fixed price: 5.00$
Free of charge from: 80.00$
Plus transportation charges of proven products
Self-pickup
Return Policy
Teaching on your return: You may exercise within 14 days of receipt of the merchandise an unconditional right of return. From an order value of 40, – Euro we pay the cost of the return.
Delivery
1. Performance is the headquarters of the AAP.
2. Orders from a value of 200 we provide FREE shipping within Germany.
3. Since all goods are hand made, it is impossible to fix a precise time of delivery. We will tell you this time in our assumption. As a guideline, but should be scheduled at least six weeks.
4. We manufacture all products by hand for them. Therefore, there may be slight differences between the product supplied and the specified dimensions.
5. Where non-compliance with a delivery or of performance due to force majored, labor disputes, unforeseen obstacles or other circumstances beyond our control, the deadline will be extended. We will notify you promptly of any such case.
Privacy Policy
According to § 28 of the Federal Data Protection Act is reminded that as part of the business necessary data are generated by a computer system according to § 33 of the Federal Privacy Act and stored. Personal data will be kept confidential and not disclosed to third parties… If the customer changes, bans or deletions do his data, he has to turn to us.
Miscellaneous
S is to be Czech and German law to the exclusion of the CISG, even if orders from abroad or supplied to foreign countries. If you are a resident or habitually resident abroad, Pilsner, jurisdiction for all claims in connection with your order.
CONTACTS
Na Roudne 106
CZ-301 00 Plzen
Czech Republic
Contact: Martin Kosa
Responsible for the content of the website: Lesyco GMA
Telephone: 00420 739 477 781
Fax: 00420 377 533 672
Email: info@gartenkeramikschmuck.de
ID Number: 00519871
VAT number: CZ00519871
Bank:
Account number: 19-2105930
Bank code (BLZ): 8030
Raiffeisenbank eG Stiftland
Website: www.gartenkeramikschmuck.de
Popularity: 1%
Every potter/ceramics artist needs to understand how to minimize exposures to hazardous materials. There is an abundance of information available today on every chemical used in your studio (and your house and garage, for that matter). Several years ago, the Occupational Safety and Health Administration (OSHA) required manufacturers to prepare a Material Safety Data Sheet (MSDS) for each hazardous material they produce, and to provide them, upon request, to the consumers of those products.
How to Find an MSDS
In addition to the supply house from which you purchase the material, an excellent source of MSDSs is the Internet. Not only do you receive the information immediately, you have access to as many as you like. This can be particularly useful because, although OSHA requires that MSDSs be prepared and available, there is no mandate for the information to be presented in a uniform way, and manufacturers have a great deal of leeway regarding what information is included in the MSDS. Read More…
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Founded in the early seventies and has continuously grown through a progressive strengthening of its capacity, features two large plants in Sassuolo and Fiorano Modenese, employing today more than 400 employees. A Sassuolo are also housed the head office and administrative as well as representative offices and exhibition spaces arranged in a modern and functional showroom.
Born, one of the first, as a manufacturer of advanced single-fired glazed floors high vitrification, the company has grown through a steady program of investment, their product lines to complement the current range of glazed floors, coatings and porcelain that put it rightly, in the ceramics sector, including companies with a complete offer. Read More…
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Spode’s two famous contributions to the Pottery Industry were the perfection of transfer printing in 1784 and the development of fine bone china in about 1799. (Although bone china is a porcelain it is always referred to as bone china)
The successful development of bone china by the Spode factory at Stoke-on-Trent (around 1770-present – the exact date the factory was stared is not known), for wares of outstanding beauty and economy in the Regency style of the early 1800s, ensured its preeminence among commercial producers.
Spode’s nearest rival was Minton (1796-present), outstanding in the Victorian period for its “art” porcelains. Among Spode’s chief followers in producing bone china for the mass market were Davenport (c. 1793-1887); Wedgwood for a short period between 1812 and 1822 (Wedgwood later re-introduced bone china production, and they continue production today); Ridgeway, New Hall, and Rockingham. A host of lesser concerns served the expanding middle-class market.
Spode created many of his patterns after Chinese designs; he developed a highly effective method of transfer printing with blue under glazes. He also experimented with a transparent but durable bone china, arriving at a formula that is still used. His son Josiah Spode II, 1754–1827, took over the pottery factory in 1797. He is credited with having introduced feldspar into Spode ware and for producing pottery of a high technical excellence.
Spode remained at the forefront of bone china and stone china production until 1833, when the factory was acquired by William Taylor Copeland and Thomas Garrett: it remained under their names until 1847, when Copeland became the sole owner.
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Work Halina Olech initially stood out charmingly simple matte glazes. It resembled the great creations of the cylinders of Japanese ceramics. Definitely gone from the formation of its work on the pottery wheel. She kept a kind of roughness in the texture of their hand-shaped dishes or overlaps the enamel thickness in warm tones of cobalt. In later work shows the interest in sculpture, particularly in a series of heads made in deep relief on szarosrebrzystych toned, slightly iridescent szkliwach reduction.
Many similarities can be seen in the work of Irena Lipska-Zworskiej.
The artist exhibited a wonderful sense of proportion and a unique understanding of the decorative nature of the major forms of vascular diseases. In her pots and bottles we find reminiscences of the Orthodox church architecture. These works are outstanding in Polish pottery. She used her work in traditional and relatively popular method of decorating angobami. The variety and versatility search Leipzig-Zworska preserved to this day. Creates decorative vessels still form, but form parametrization, non-functional: reliefs inspired by the landscape (plowed field) in the plane “lubwprowadzające” space through lace (Lake, Shields, Birds). Builds a form – sculpture, made of gossamer rhythms and full planes, shaped slightly raised, przenikach through space (Metamorphosis, butterflies) or static, ongoing in the area (columns, mountains, icebergs). Recently, the artist creates a form-based travesty ball or cone, with neutral or very painterly surfaces, which are forms or decorative lamps, covered with tiny holes through which comes out of thin smuzki light casts amazing reflections on the environment. Space and light are so-side ceramic – a material of these works. Irena Lipska-Zworska stresses that her work is primarily a tribute to nature. Not playing anything specifically, but always keep the relationship with nature, trying to give its essence-the rhythm of life, mobility, diversity, richness. – Through the rhythms of forms, analogies to the shape, color, but also a natural disharmony. Present in her work metaphor and poetry are inseparably associated with the experience of nature.
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“Pots, such as children, made its way into the world’Byron Hall said. The work of this master potter has a vision of the exhibition”utility Clay”at the Clay Place Gallery in Shadyside. From 1958-1961, an intern at the legendary Temple English Potter and the philosopher Bernard Leach Leach Pottery in St. Ives, England. Leach wrote”The book of Potter’,”who influenced generations of potters since its first publication in 1940.
Leach was one of the first potters to adopt the idea of”artist-potter.”He maintains that the artist-potter’s work’is a unity of design and implementation, cooperation between the hand and not split personality, a designer and craftsman is a”.
Leach’s comment is an adequate explanation for Temple’s work. At 68 years, the Temple is a legendary figure in the field of ceramics. Throughout the five decades of the Temple has worked and taught, he has influenced generations of potters. He has taught at Haystack, Penland, Pratt Institute and the Philadelphia College of Art, for example.
From 1962-1989, the temple served as a production studio pottery in Lambertville, NJ, where he produced a number of standard containers. Not that Potter’s work grew more interested in creating the platform more artistic. These are his priority, and the output, since his retirement when the production of political ideas and moved to Louisville, Ky., in late 1980.
20 pieces in this exhibition are recent examples of this work. Pieces to be either small pots or bowls up to 6 inches tall. They exude a quiet confidence of an artist who describes his aesthetic as”a combination of Bauhaus and Japan. “
They are deceptively simple.
Dark-footed bowl seems to base its design. But when you crashed, see the intricately carved-out basis. Many parts of the exhibition is on a differentiated basis. This show gives the noblest pieces of the size and lift, which is a quality event.
Most of the pots in this exhibition are cylindrical and have smooth tops with a lid. The plates are different sizes depending on the model of each. Some bridges are as small as a coin, others are larger and have a small piece of bamboo embedded in the lid for a handle.
Many parts of the show is taken from the oven Anagama – a long, Japanese-tube furnace. Kiln using wood as fuel. Wood combustion produces ash captured pieces. This and the sawdust burns (which is placed against the clay), traces of fire, causing drama.
All parts on a wood fire is a natural resource that has to stop, but few are highlighted parts, the deliberate use of glaze applied. This was confirmed in two pots with bamboo handles lids illustrate Temple’s minimalist treatment. A bottle seems to have been partially dipped in dark green paint, while the other is just a red varnish on top. This minimal use of decoration underlines the notion Bauhaus form to function.
Ceramics
Some of the songs for this show are salt glazed. Salt glazing is a technique in which the secular rock salt are thrown into the oven for baking. The sodium salt is combined with aluminum oxide and silica in the clay and the results of the glass surface of the workpiece.
The end result can be seen in three bowls show. Full-bodied, they are corroded glaze effect equivalent to the appearance of an orange. The surface waves, revealing the true color of fired clay below. It’s a very nice result of a relatively simple process.
The temple is well respected in the ceramics field”because of his dedication and aesthetics,”Peake said.”It is part of a long tradition. “
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Tile flooring is a cheaper alternative to stone and offer some of the advantages and disadvantages. Tile is made of clay or stone mixture. It’s less absorbent than wood, so it can be used in wet environments such as kitchens, bathrooms and laundry, but it can be cold and slippery underfoot. Tiles can also crack or chip. It is easier to install than stone because it is much easier to cut, but it’s not a job for beginners. Read More…
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If you think ceramic patterns are boring now, you should have seen a limited number of models twenty years ago. Go even further back in time and the choice is less. The 4 and 1/4-inch square tiles found in many homes, including a master bathroom in my own home, leading to all sorts of interesting shapes and designs. Read More…
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